All innovative works in words have their devout followers. In academia, especially in the discipline of Philosophy, or in the fields that comment upon philosophical discourse, the proper name of the author is propped up by an entire phalanx of scribes who are kept busy in the near limitless exegesis.
While such interpretations may be enlightening, 90% of it comes out as so much rotten praise. At its worst, fanclub theory amounts to a dreadful repetition of unexamined phrases, and despite its rhetorical claims otherwise, produces not the unthought crevices of this-or-that, but a text of dead concepts floating in a morass of jargon, without connection to a thesis, and without hope of breaking free from its tethers.