:: Fiends I am proud to present the first edition of ::

DANCECULT – JOURNAL OF ELECTRONIC DANCE MUSIC CULTURE

Including a piece of my own that recaps 10 years of MUTEK:

Convergence & Soniculture: 10 Years of MUTEK

| — > PDF < — | — > HTML < — |

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Dancecult 1.1 2009 Contents:
http://dj.dancecult.net

:: Featured Articles ::

IDM as a “Minor” Literature: The Treatment of Cultural and Musical Norms by “Intelligent Dance Music” – Ramzy Alwakeel

Decline of the Rave Culture Inspired Clubculture in China: State Suppression, Clubber Adaptations, and Socio-cultural Transformations – Matthew M Chew

Neotrance and the Psychedelic Festival – Graham St John

Too Young to Drink, Too Old to Dance: The Influences of Age and Gender on
(Non) Rave Participation – Julie Gregory

DJ Culture in the Commercial Sydney Dance Music Scene – Ed Montano

:: From the Floor ::

Convergence & Soniculture: 10 Years of MUTEK – tobias c. van Veen

The Hardcore Continuum? – Jeremy Gilbert

The Abstract Reality of the “Hardcore Continuum” – Mark Fisher

12 Noon, Black Rock City – Graham St John

The Inverted Sublimity of the Dark Psytrance Dance Floor – Botond Vitos

:: Reviews ::

We Call It Techno! A Documentary About Germany’s Early Techno Scene (Sextro and Wick) – Hillegonda C Rietveld

Lost and Sound: Berlin, Techno, und der Easyjetset (Rapp) – Sean Nye

Chromatic Variation in Ethnographic Research: A Review of Psychedelic White:

Goa Trance and the Viscosity of Race (Saldanha) – Anthony D’Andrea

Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza and Goa (D’Andrea) – Charles de Ledesma

Breakcore: Identity and Interaction on Peer-to-Peer (Whelan) – Emily Ferrigno

The High Life: Club Kids, Harm and Drug Policy (Perrone) – Lucy Gibson

Tags: Bey, Detroit, rhythmanalysis, sampling, TAZ, techno, turntable, Underground Resistance

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