Posts Tagged ‘TAZ’

DANCECULT 1.2

Monday, August 2nd, 2010

the gonzo academics of soniculture return

Without too much further ado I would like to point you toward issue 1.2 of Dancecult, which features – among other gonzo academic explorations of soniculture and the rave underground – “Technics, Precarity and Exodus in Rave Culture.” This piece of mine, under works in various forms for approximately a decade, explores rave culture from the perspective of political theory of autonomia, the political economy of contemporary labour, and philosophy of technology, proposing that rave culture – which I consider deceased as of 2000 – be considered one of the 20th century’s greater movements of exodus from the constraints of consumer capitalist monoculture, by way of precarity of labour and the technics of its soniculture. Undoubtedly this thesis requires all the more exegesis. La lutte continue.

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DANCECULT: JOURNAL OF ELECTRONIC DANCE MUSIC CULTURE
edition 1.2

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// FEATURED ARTICLES

Making a Noise – Making a Difference:
Techno-Punk and Terra-ism

*Graham St John

Technics, Precarity and Exodus in Rave Culture
*tobias c. van Veen

The Aesthetics of Protest in UK Rave
*Ramzy Alwakeel

Memory and Nostalgia in Youth Music Cultures:
Finding the Vibe in the San Francisco Bay Area Rave Scene, 2002-2004

*Eileen M Wu

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the Myth of the Underground

Monday, May 24th, 2010

in the darkness the shapes of the light (thx to JBurke for this photo)

Excerpt from an unpublished missive — the mythus of the underground.

The outsider, insubordinate, and risk-laden character of dance, legitimated in this sense through its criminalization, provides participants with an outlaw or rebel identity forged in an ambiguous relationship with the law. — Graham St John, Technomad@20

The underground resonates with flights from the drudgery of everyday life into realms of secrecy and substance, where liberated encampments of rebel fugitives revel in the immediatism of autonomous existence…

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Cities of Rhythm & Revolution

Monday, March 8th, 2010

Voilà.! Some 5 years in the making, Circulation & the City.

With appropriate fanfare & deep bows, Will Straw & Alexandra Boutro’s edited volume entitled Circulation and the City: Essays on Urban Culture (McGill Queen’s UP, 2010) now graces the shelves. This book has been quite a few years in the works. The earliest drafts I have of work for the volume date back to 2005, and by the time we went to press, the final chapter I submitted on Henri Lefebre, rhythm, and revolution in the city had been transformed entirely from the words originally writ on rave culture and rhythm (funny thing: the new article I am finishing for Dancecult picks up on these earlier themes  – sometimes work must encounter different sets of theoretical concepts, and years of reflection, for the excavation of the intellect to yield its bounty). The book forms the third in a trilogy of publications from the Culture of Cities Project, a multi-university research endeavour that sought to unearth “the mix of universal and local influences in the everyday life of cities,” with research concentrated in Toronto, Berlin, Dublin and Montréal, and with researchers across Canada and the Continent. So, with the intent of lurking y’all into picking this up (or perhaps unwittingly scaring you off), I offer the introduction to my chapter “Cities of Rhythm & Revolution.”

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Dancecult: Journal of EDMC launches 1.1

Monday, September 28th, 2009
Dancecult: mixing theory @ the speed of sound

Dancecult: mixing theory @ the speed of sound

:: Fiends I am proud to present the first edition of ::

DANCECULT – JOURNAL OF ELECTRONIC DANCE MUSIC CULTURE

Including a piece of my own that recaps 10 years of MUTEK:

Convergence & Soniculture: 10 Years of MUTEK

| — > PDF < — | — > HTML < — |

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Dancecult 1.1 2009 Contents:
http://dj.dancecult.net

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music as an organisational principle: resonance

Thursday, August 20th, 2009
musikal resistance (2000) / dj.glim

musikal resistance (2000) / dj.glim

Revolutionary movements do not spread by contamination but by resonance. Something that is constituted here resonates with the shock wave emitted by something constituted over there. A body that resonates does so according to its own mode. An insurrection is not like a plague or a forest fire – a linear process which spreads from place to place after an initial spark. It rather takes the shape of a music, whose focal points, though dispersed in time and space, succeed in imposing the rhythm of their own vibrations, always taking on more density. To the point that any return to normal is no longer desirable or even imaginable. (The Coming Insurrection 13)

As of 2009, the suspected authors of this lively and at times satirically brilliant text – in the best tradition of insurrectionist French theory, a nod to Voltaire – are still facing charges, some released from prison, others being held & questioned. Any following critical comments are critical only insofar as they applaud the force of this text.

Yet – and there is a yet with this text – something of the darkly humorous & inventive tone is lost by the time the text announces, in a rather didactic fashion, its prescriptions for action as a way of closure. These prescriptives are a tad too prescriptive for me. And I think in this passage all of what invigorates me – yet frustrates me – can be heard.

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the convergence towards alter-globalization

Wednesday, August 19th, 2009
Los Angeles, 08.15.2000.

Los Angeles, 08.15.2000.

When searching for indications of the global multitude, it has become something of a commonplace for theorists such as Negri, Marazzi, Virno and other Italian Autonomists (but not limited to them) to point towards the “antiglobalization movement,” which is usually granted its worldwide stage debut at the WTO protests in Seattle (1999) with further economic summit gatherings making their mark as well as traditional political gatherings (DNC in LA, 2000; World Economic Forum in Davos, 2001; FTAA in Genoa, 2001; Summit of the Americas in Québec City, 2001). With 9/11, the “movement” is usually seen as dissipating into an antiwar focus; moreover the possibility of organised mass protest after 9/11 disintegrates in the wake of repressive “security” measures globally. The question is how this time of global, networked turbulent uprising has been represented & interpreted among theorists.

Commenting on Naomi Klein’s No Logo, Christian Marazzi writes (circa 2002) that:

The “no logo people” has been constituting itself with protest tactics against the privatization of public space, against the symbolic commodification effected by the multinational producers of consumer goods. The protests against the logo and against the world circuit of exploitation of the work force described by Klein have worked as a lever in the global growth of an “antiglobal” movement. (Capital and Language 138)

Marazzi’s summation remains limited in two respects. First, it is somewhat of a one-dimensional analysis insofar as it accepts without question the term “antiglobal” while overplaying the significance of the “no logo people.” Second, Klein’s No Logo, significant now as it was then in providing the framework for an analysis of the symbolic structures of global capital, remains theoretically and descriptively inadequate to encompass the diverse manifestations of what is not an antiglobalization movement, but an alterglobalization convergence. There remains a terribly incomplete perception of the alterglobalization convergence of the mid-’90s to 2001 among theories of the multitude (Marazzi goes on to write: “The global crisis of the logo, in other words, suggests that it is on the terrain of the political definition of the body of the multitude that the future of the protest movement will be played out”).

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