Archive for the ‘here & now’ Category

21C book burning: Scribd & the DMCA

Tuesday, March 22nd, 2011

\ I’m not sure what to say about this, considering that the essay existed in PDF form not from Leonardo but from my own Word document. Leonardo never even gave me a PDF, nor a Galley proof, for that matter. Is it Leonardo / MIT Press that is blanket-searching Scribd for phrases that may correspond to their own published material?

If so, I never signed over copyright to them [see below]—I wasn’t paid for this piece, nor was it printed on paper. It was relegated to an abstract at the back of the printed Journal, with the piece distributed over email and online. It lacked proper formatting and remained generally unread because of its poor presentation. From what I remember of discussions with other authors, those of us who were “bumped” in this manner were not impressed. This is precisely why I am behind cracking open the locked vaults of academic knowledge. Enough overpaid subscriptions to ivory towers. Viva Open Access Publishing!

As far as I am concerned, this is censorship—not of the malicious, targeted-kind,  as if I am spreading some kind of samizdat here, but of the dumb, computers-are-fucking-us-over-kind, aided & abetted by some lawyer somewhere who is currently earning more than all the authors he is screwing-blind combined. Thus I proudly present the paper in its pirate lair, where it has been drinking merrily for years:

Turn/Stile: Remixing Udo Kasemets’ CaleNdarON

Leonardo Music Journal 13; Leonardo Electronic Almanac: Groove Pit and Wave. MIT P: 2003/2004.

The more these commercial distribution services like Youtube, Soundcloud, etc, pander to blanket-DMCA requests generated by some robot somewhere, the more it forces a redistribution into decentralized nodes of underground information. Just imagine—in the future, you won’t even be able to use citation on a blog as the Internet Robot will immediately recognise the use of someone’s words without permission. (Remember, Hallmark owns the copyright to “Happy Birthday”…).

Think it won’t happen? Think again. Because when machines do the reading, they don’t think—they just execute a binary decision based upon a percentile of a parameter matched. Think about that. The technocracy is indeed a troubling concern.

../../

23 March 2011: An update–see my counter-file DMCA notice. I did sign over copyright to ISAST, but I retain specific rights which, as I interpret it, include publishing the article in my own “anthology” on Scribd. For what it’s worth, I don’t think I’d sign such a broad agreement today for an unpaid piece that does not guarantee (a) a publication format; (b) reversion of rights to author should the Press fail to keep the work in print;  (c) renumeration rights for paid electronic distribution services (i.e. Kindle); and (d) the right to electronically distribute for educational and academic purposes (not just “photocopy” for teaching—note  the imbalance of rights, where the publisher retains all future-forward electronic rights of distribution while the author can only photocopy as a means of distributing their own article for teaching purposes!). From the Publication Agreement:

Agreement:  We are pleased to have the privilege of publishing your Article in a forthcoming issue of  Leonardo Music Journal. By your signature below, you hereby grant all your right, title, and interest including copyright for the text, layout, and image placement of the Article, to The International Society for the Arts Sciences and Technology (ISAST).

Rights Reserved by Author: You hereby retain and reserve for yourself a non-exclusive license: 1.) to photocopy the Article for use in your own teaching activities as long as the article is not offered for sale, and 2.) to publish the Article, or permit it to be published, as a part of any book you may write, or in any anthology of which you are an editor, in which the Article is included or which expands or elaborates on the Article, unless the anthology is drawn primarily from Leonardo Music Journal.  As a condition of reserving this right, you agree that MIT Press and Leonardo Music Journal will be given first publication credit, and proper copyright notice will be displayed on the work (both on the work as a whole and, where applicable, on the Article as well) whenever such publication occurs.

It’s worth reiterating that I gave MIT Press free content. Their DMCA shennanigans strikes at the very core of why academics publish: to see the work distributed and archived. To this end, MIT Press is not meeting its obligations, as the content is no longer available online. This is the link provided for the article; it no longer exists:

http://mitpress2.mit.edu/e-journals/LEA/TEXT/Vol_12/lea_v12_n02.txt

So after failing to distribute and archive the article, MIT Press then strikes it off the Net with a DMCA. Why? I believe the answer is here:

With the re-launch of the Leonardo Electronic Almanac (LEA) we inherited a rich historical collection of writings and thematic issues that spans twenty years.

Historical collections, particularly historical collections of digital media hosted over the Internet, have had a tendency to disappear with the closure of a server or to be left abandoned on a database hosted on the hard drive of a dusty computer in the department of a university. The editorial choice for LEA was not simply that of re-presenting the same material, but to propose to the academic, artistic and scientific communities to re-engage with issues and themes 20 years later. The idea is to develop new discourses, re-attempt to put to rest old diatribes and to engage with the developments in the field of the interactions between art, science and technology.

The editorial choice I made was to collect the old material and make it available on Kindle, remediating the old format and rekindling old arguments and passions by finalizing arguments that appear to no longer have relevance and by breathing new life in to historical subject areas that are still relevant today, picking up from the threads left by the pioneers and commentators of the recent past.  [Lanfranco Aceti, Editor-in-Chief, LEA]

What does this mean? It means that Leonardo/MIT Press/ISAST failed to keep up their end of the publishing contract, which is to maintain the electronic source online. Since they’ve now repackaged the lot and published it with Kindle, they’ve got the lawyers hopping across the internets striking down the content that authors have since self-published or otherwise distributed due to the complete failure of LEA to maintain a proper digital archive.

And that, my friends, is why closed academic publishing in a digital, online environment is a complete mistake. Don’t sign such agreements. Renegotiate. Nobody wants their work locked up on some “dusty computer in the department of a university”, which is precisely what the LEA has done. Republishing on Kindle is not sufficient, in my opinion, to uphold the original contract, which called for online publication in the Journal. So where are the LEA’s archives? Why is content dating back to the early ’90s being sold when the content was never paid for to begin with? Why isn’t the LEA making such content free and open to the public?

Indeed.

././.

DiY Revolution

Friday, March 4th, 2011

Adorned with all the signs of insecurity.

If one did want to instigate a mass uprising against an authoritarian regime, how would one go about doing so? What steps are involved? Sure, one could look at various passages in Marx to grasp the economic motivators of social unrest – poverty, disparity, the mechanics of capital as a system of alienation and exploitation – but Marx, rather infamously, won’t teach you much concerning what to do about it.

Ditto for Che Guevara — unfortunately in the best tradition of the (negative) dialectic, his Diaries only tell you what one should not do, which is start guerilla war in a foreign country where the locals aren’t particularly interested in having you there.

Reading up on the French revolution is as engaging as it is instructive (and do watch Danton), though the lessons to be drawn from 1789 through Napoleon, and the American and English Revolutions respectively, is that any major upheaval that destabilizes the pillars of a society – including its engines of economic trade and fabric of social reciprocity – has resulted in generations of bloodsheed, counterrevolution, military dictatorship, soft reinstatement of previous systems of exploitation and privilege, organised criminality masquerading as revolutionary zeal, destructive and nihilist infighting and outright civil – if not Total – war.

Indeed, it remains entirely unclear whether humanity is capable of undertaking massive socioeconomic change without such violence and its repercussions (and this includes the “hidden” violence of globalized capital), which brings one directly to the 20th century and the various attempts to commandeer such violence through a revolutionary vanguard. Yet even the good intentions and creative energies of the various antifascist socialist revolutions gave in to an overwhelming paranoia — that by beheading the despot king, a vacuum had been ripped open in the metaphysical fabric of the cultural imaginary that simply had to be filled. And so the abyss was given over to the singularity of the absolute once again, feeding the ravenous cult of the despot, that destructive violence of supplementarity – the addition necessary for the whole to become whole – rendered flesh. Even radical communism could not escape the logic of the sacrificial god (or as some would have it, rather did such a system only intensify the phallogocentrism of the golden bough). As each State became a surveillance State with its gulag archipelagos, its internal purges  met or exceeded – in its modern, industrial organisation of death and repression – whatever monarchical-autocracy that preceded it.

And we have not yet even touched upon the echo chamber of violence that has seemingly overtaken postcolonial struggles and turned them inside out. Nearly each postcolonial revolution of the mid-20th century has turned into some caricature of its former self as it perpetuates the cycle of violence that brought it into power, rather than dealing with the more mundane task of organising some kind of peaceful and participatory State. Violence is addictive, a high, as any member of organised (or unorganised) crime will tell you: violence is hardwired into the human, and boy, do we love it, in all its most depraved and sadistic forms. Which brings us to the continent of Africa and the Middle East, replete with its petty dictators – many armed with nuclear weapons, of course – that preside over endless parades, publicly stroking their egos, playing out a kind of patriarchal onanism often fetishized with self-stitched uniforms, sunglasses, dorky hats and numerous long and ridiculous titles such as Leader of the Grand Revolution of Such-and-Such-Day, Hero Of Our Fallen Martyrs The SteelWorkers of Some Village, etc., etc., etc..

None of which helps much when in our contemporary moment the entire populace living under the State terrorism of such regimes of absolute violence – cartoon leaders are always the most dangerous – suddenly tips over into a state of all-out insurrection. No-holds-barred, we will die for this style, absolute overthrowing of seemingly absolute power — this is what is happening and, despite all the revolutionary history behind us, new and old, the story is the same and yet every time the outcome is utterly unknown: we can know absolutely nothing about the possible outcome of any of the particular (yet connected) forces at work. Military dictatorships? More than possible. Slow transitions of existing institutions to democratic models? Possible too. Mass slaughter and civil war? Already happening.

What is intriguing is possibly where some of the current dis/organisation comes from. Move over Marx, and meet Gene Sharp. Here’s DiY Revolution in eight (easy?) steps:

  • Develop a strategy for winning freedom and a vision of the society you want
  • Overcome fear by small acts of resistance
  • Use colours and symbols to demonstrate unity of resistance
  • Learn from historical examples of the successes of non-violent movements
  • Use non-violent “weapons”
  • Identify the dictatorship’s pillars of support and develop a strategy for undermining each
  • Use oppressive or brutal acts by the regime as a recruiting tool for your movement
  • Isolate or remove from the movement people who use or advocate violence

to punish & humiliate

Thursday, January 20th, 2011

The Brits understand that the basic purpose of comedy is not to delight or entertain, it’s to punish and humiliate. It’s to “make sport” and get as close to getting punched in the face as possible. Despite the general squalor of that country, they are still kind of the experts on certain aspects of western culture. [ Robyn Marshal ]

.. commenting on Ricky Gervais, who began with this in 2010:

Given free reign in 2011:

More to be said on Gervais’ ability to humiliate & punish with restraint in near equal amounts.

multitude & moloch

Friday, November 5th, 2010

The evil within is worse than that without

For awhile I thought the inferences I had been drawing – of an unevenly distributed but nonetheless disastrous collapse of democratic institutions, from the precarization of labour to the corporatization of the university – were in part the afterglow of reading deep into the analyses and experiences of all-out totalitarianism. I had just completed Harrison Salisbury’s The 900 Days: The Siege of Leningrad, which had me imagining not only the horrors of war, but the horrors of a paranoid dictatorship seemingly incapable of recognising the danger in its midst, caught instead in a ceaseless and senseless purge of its own people…

The siege of Leningrad, which killed some 1.5 million through forced starvation alone, could not only have been avoided if Stalin had acted upon the early warning signs of Germany’s treachery, but was further compounded by Stalin’s paranoia, which froze independent thought and action among his generals and armed forces, paralyzing the defence of the Soviet Union from the Nazi blitzkrieg. Besides the fact that Stalin failed to heed the many reports and indications that Nazi Germany was amassing an army ready to annihilate the Soviet Union, the Kremlin politics of Stalin and his right-hand man Police Chief Beria ensured that the many who valiantly defended Leningrad, from the upper military echelons to the lower, as well as the many who sought to memorialize its tragedy, from artists to playwrights, from officers to museum directors and staff, were purged from within while the city was laid waste from without…

For years I have been reading William L. Shirer on the rise and fall of the Third Reich. Seven years ago nearly to the month, I began conducting historical studies on the topic, writing of some of it briefly in this post and here. Much has changed. At the time the figures involved were media supercaricatures, with the terrorist-fighting superduo of Bush and Blair paired up neatly against the evil  outlaws, the mysteriously invisible Bin Laden and the poster-boy of evil, Saddam Hussein. These supercaricatures rendered cartoon-like the embodied power of the sovereign even as their power operated, like classic Roadrunner cartoons of seemingly innocuous violence, through the politics of fear. To this end Massumi and Dean’s analyses of Reagan, the actor-president, the fiction of sovereignty – as the “Last Emperor” – proved uncanny and useful.

Each supercaricature had its trading-card qualities. Bush seemed so incredibly inept, so affable and stupid, that the violence of his gesture and the menace of his speech were all the more amplified. Bin Laden, gentle and effeminate, articulate and seemingly intelligent, was all the more horrific for he had successfully used his wealth to spawn a terrorist network that would live on even if he, as the head, was decapitated. Hussein was the most pitiful of them all. Dressed in the trappings of his ornamental uniform and adorned with the dictatorial moustache, Hussein the egoist tyrant seemingly never understood what he had done to upset his friends the United States, whom had previously supported his regime in the war against Iran. When Hussein was pulled from his hiding hole like a rat from the sewers, he had become a cartoon of power, and a convenient bogeyman for the noose.

The mad, mad multitude

Now it is not the supercaricature that rules the day. Rather, it is the undefined, faceless mass, the screaming, nonsensical, overabundance of flesh that weighs among the shouting many, the madding crowd, gun-toting, SUV-driving, flag-waving patriots, mouth agape, eyes angry and yet — so vacant, so devoid of worldliness. We are indeed witnessing the clash of the uncivilizations, whether it be a crowd of clerics screaming for the stoning of a women accused of dishonour because she was raped, or the mad yelling and gun-brandishing of Tea Partiers demanding that income tax be rescinded so that they can… so they can what exactly?

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“cultural fascism”

Wednesday, November 3rd, 2010

Speaking of “cultural fascism” and the Weimarization of the United States is no longer an isolated phenomena. A couple of days ago I was reading The Pique here in Whistler and noticed not one, but two columnists deploying terms of analysis that took the rise of the extreme right in the United States at its full value. Check out the talented and thoughtful Michel Beaudry, who in his Alta States column wrote:

Look at what’s happening to our neighbours down south. For the last two years, a group of very disturbed people have been repeating the fiction that President Obama is a secret Muslim. Makes me think of the Converso claims against Jews in Europe in medieval times. Turns out that strategy was a great way to scapegoat a segment of the population that chose to live outside the maintream. Maybe that’s what these modern racists are thinking
too.

But what really disturbs me is that in a country increasingly dominated by talk show hosts discussing the sexual peccadilloes of its celebrities, a growing minority of people are actually beginning to believe that Obama is a Muslim. Doesn’t matter that this has absolutely no basis in fact. Doesn’t matter that Obama and his family are regular church-goers. It’s all about destruction by innuendo. And it seems to be working.

Which begs the obvious question: would it matter if Obama were a Muslim? Would it really change what Americans thought of him? And if so, what does that say about the state of that once-great American “democracy.” Sounds more like cultural fascism to me. (Michel Beaudry, Alta States, October 21st, 2010 in Pique)

Beaudry outlines aptly the strategies of doublespeak and doublethink analysed by Orwell and deployed so aptly by totalitarian regimes the world over. Then there’s G.D. Maxwell’s column Maxed Out, entitled “Stupid is where it’s at.” Max’s column couldn’t have come closer to my own last post; it hits upon similar points concerning an increased culture of stupidity (and short-term memory). He writes:

Stupid is where it’s at now. If you want to do well in politics these days, you can’t be too stupid, too narrowly self-interested, or too vitriolic. And god help you if you actually know what vitriolic means because if you do, you’re probably too intellectual, too effete, too – horrors – elite, to appeal to a populace enthralled in their quest to discover who can dance better than a 5th grader but too indifferent to pay any real attention to the adult problems surrounding them. […]

Smart ain’t cool anymore. As an expat American, I can only shudder at what’s happening on the other side of the border as mid-term elections approach in a couple of weeks. Card-carrying and stubbornly proud idiots are about to take control of congress and finish the job they started under St. Reagan and tried mightily to complete under Bush the Stupid – driving the country and, if they have their way the world, back into the Dark Ages.

Stupid attacks the other, whether the other is eastern-educated elites, religious minorities, racial minorities, homosexuals, fact-based science or, gasp, even Canadians. Canadians!?

Yet again this week, Tea Party candidate Sharron Angle – who stands an inexplicably good chance of unseating majority leader Harry Reid in Nevada’s senate race – claimed Canada’s “porous” border allowed terrorists, and by direct implication 9/11 terrorists, into the US. That most of them were in the country on student visas was just an annoying fact. “Fact? We don’t need no stinkin’ facts.” (G.D. Maxwell, Maxed Out, October 21st 2010 in Pique)

the nightmare years

Sunday, October 31st, 2010

Were the Western democracies in an increasingly totalitarian world becoming too soft or too stupid or too tired to defend themselves and the freedoms and decencies they had won and maintained for their peoples? It was a question I was to ponder more and more from that night on through the next few years until the answer became increasingly and appallingly clear. — William L. Shirer, The Nightmare Years: 1930-1940, p. 104

Between the 2012ers and the Tea Party I am surrounded by the same logic of coming transformation, of an ecstatic overcoming of present conditions, a transcendental event which will circle its horizon only around its true believers. Whether fueled by the belief in the Second Coming, or of the transformation of humankind into some kind of consciousness-uplift thanks to Mayan prophecy, the Western democracies face the basic failure of civil society and the political structure to mediate desire into action and consensus, on the one channel, and to resolve the violence of capital and corporate control of the entire sociopolitical and media infrastructure, on the other.

The re-education channel

Today on CBC Radio 1 I heard a Tea Party candidate in Florida tell journalist Michael Enright that Glenn Beck’s television program is “educational.” What passes for enlightenment has reached such a new low that violence and ignorance has become the content of so-called “education.” Affect has trumped the negotiations of reason, the analysis of history, the ambiguities of discourse, the processes of a democracy. If Glenn Beck is “education,” then indeed with the rise of the US extreme Right we are witnessing the effective culmination of sixty years of televised “re-education.” The United States organised media monopolies have invented a newer, cheaper form of re-education envied by authoritarian states the world over. For it is no longer necessary to round-up and hold in containment the opposition, intellectual or impoverished or otherwise. It is no longer necessary to throw the enemies of the State into “re-education camps.” In the 21st century US of A, FOX television will suffice.

We can speak of the prison of media.

The rise of the far Right — is it not a sign of the utter collapse of the US education system, not in its loftier establishments, but in its broad base? Has it come to this?

Has it not been, to a degree, engineered to do so? The collapse of a populace of educated citizens appears to be the goal of various disenfranchising policies, from obliterating educational funding to favouring religious dogmatism over scientific debate. From structure to content, education is social engineering not of accumulative development, but the disintegration of critical thought.

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The Rise of the New Dumb

Friday, October 29th, 2010

A new project — resurrection of authoritarian analysis, but with a twist, taken from the Good Doctor, Hunter S. Thompson: the Rise of the New Dumb.

The only ones left with any confidence at all are the New Dumb. It is the beginning of the end of our world as we knew it. Doom is the operative ethic. – Hunter S. Thompson

The New Dumb

(1) The inability to comprehend basic maths. That lower taxes cannot provide more services. That lower taxes for the wealthy will not result in more plasma screens or digital gadgets for the average lumpenurbanite. That lower taxes will not reduce car traffic. That lower taxes will not cure cancer, or make you lose weight. That the reduction of taxes has little to do with the size of government, which demonstrably increases under all politicians and parties whose main platform is to lower taxes.

(2) Analysis of the lumpenurbanite. A new class of the Dumb. In which the urban periphery views the city core as the playground of sexual fantasy and violence, where the cheap clothing accessories, made in global sweatshops, can be displayed as symbols of urban power. And this urban power exists; it elected a Mayor whose entire platform culminates in the negation of the city, with no positive vision of its future other than as a parking lot.

(3) Properly, all movements of the New Dumb are not politics. The New Dumb seeks to negate the space of the polis. Speaking in tongues, carrying weapons, obliterating spaces of gathering, destroying means of human-powered transport — these are all movements against the political in its generality, the heritage of the space and time of speaking and gathering collectively, the polis.

*Note to self: will write further on this claim vis-a-vis Rancière’s notion of politics as dissensus. What I suggest is that the New Dumb is not producing dissensus, but actively seeking to cleanse the political of such. It is a new police order or distribution of the sensible that aims to render the political terrain impassable.

(4) Analysis of this Mayor, in which the politics of the negative become a fetish, physically displayed, outwardly, in the slouch of the body. Negative politics in which the scapegoat is the apparatus of administration and election itself. The bodily affect of the negative is physical largesse, which is the sign of what is to come: bureaucratic bloat. Listen not to the words — look at the belly. That there is a certain irony in an elected Mayor who wants to “stop the gravy train” and yet appears to have swallowed it, whole. This is analysis of affective politics where power resides in a centralized body (see Massumi and Dean).

(5) This Dumb Politics encompasses a destruction of the city core, and its transformation into a fantasy playground for the car culture of the lumpenurbanite. The city is a parking lot, a highway, a place for the expression of suburbia’s expressive resolution of what it views on television of the Big City – the horrors, gleefully watched, of mob violence, cop culture, whores & drugs – by making it more real than Real. Which includes, as a positionless political platform: the negation of cyclists and bike lines; the negation of public transit; the negation of non heteronormative cultures (if not peoples); the negation of immigrant populations and neighbourhoods. The city core is to be transformed into a Fat Playground. Once tooled as the shopping centre for illicit pleasures, the city will be blamed for its ills and immoral being, as corruptor of the youth. And so He struck down Sodom and Gomorrah — in His Hysteria.

(6) When HST ran for Sheriff in 1969, his second campaign promise was to change the name of Aspen to Fat City. HST saw it coming, and wished to head it off at the pass by calling a spade a spade, and by doing so, allowing the symbol to denigrate itself. His campaign points (which I believe were entirely serious) included:

1. Rip up all city streets with jackhammers and sod the streets at once.

2. Change the name Aspen to Fat City. This would prevent greed heads, land rapers, and other human jackals from capitalizing on the name ‘Aspen’. These swine should be fucked, broken, and driven across the land.

3. It will be the general philosophy of the sheriff’s office that no drug worth taking shall be sold for money. My first act as sheriff will be to install on the sheriff’s lawn a set of stocks to punish dishonest dope dealers.

HST realised that the only way to resist the New Dumb is to become an opposition so radically unpalatable that it cannot be swallowed. To become the vicissitudes of a radical pleasure — not a consumable pleasure of patriarchal violence and property. Outright, organised, elected, autonomous Freak Power.

(7) The Rise of the new Dumb is explicit. Like early 20th century Fascism, it wears its heart on its sleeve. We can all see it coming. It has a platform. It is destructive, and above all, selfish. Incredibly selfish. It appeals to the most selfish, senseless attributes of the human condition: to defeat minor, bureaucratic power through the assumption of a power more destructive and violent than all that came before; to overcome the complexities of the world by rendering it into banal, childish terms; to ignore the world’s dangers by remaking it as a pleasure dome; to target and scapegoat all those who not only refuse to live inside the bubble, but all those who would tear down its catastrophic illusion.

(8) The New Dumb revels in its stupidity. It signs off without content, it signals no argument, it has no reasons, it just operates blind, steering through life like a consumer with a free credit card. It only has its exit, in the end, to play. This exit must be refused, lest it take all of us down with the ship.

Rob Ford (to CBC’s As It Happens): Pardon me? I can’t talk to you right now—I’m really, I’m on a really tight schedule, so I hate to be rude, but I gotta let you go, and we can chat another time. Really nice talking to you, all the best, buh-bye.

(9) Which is worse — an organised Fascism hellbent on overtaking the world while methodically exterminating its opposition, or a disorganised Dumb hellbent on destroying the world in its mass stupidity? There is no equivalence here; there is no worse than worse; there is only the Worst for our times, and as such, it ought to be taken with pitchforks in hand, and fought without quarter.

Rise Freak Power.

WANTED./ unfiltered & unrepentant.

Tuesday, April 20th, 2010

WANTED — soulphiction collective — libidinal let-loose lounge — counternorm committee — black-tie dinner & mud wrestling.

cut it up & start again

Hi there — you nose down in your gizmo — status updated — you & your busyness ontology — sorry to hear — about your  bits & bytes of existential banality — interconnected — your life.

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social media & its discontents

Wednesday, February 24th, 2010

Compared to Turin, and even Beijing, the Vancouver 2010 Olympicon is perhaps the first major sporting spectacle to bear witness to the rise in social media. Compared to the ’90s advent of Indymedia, social media is a very different beast. Indymedia came about as the convergence of traditional alternative media (such as college & campus radio, ‘zines, underground newspapers and pamphlets) with emerging internet technologies of self-publishing. When Indymedia saw its first introduction at APEC in 1997, going on to become a full-fledged, independently developed technical web platform for contributors with a centralized media hub at the Seattle ’99 WTO convergence, it provided effective coverage not only because it aired the footage of, and granted time to, perspectives that mainstream network-based television was either unable or unwilling to provide, but because it did so from a concentration of independent, alternative journalists who, though they may have differed as to the precise orientation of their political convictions, all agreed upon the common need for an alternative media network to represent the unheard side of the story.

cameras out as the spectacle slides by. photo: tobias c. van Veen

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après moi, le deluge — & the Olympicon

Monday, February 15th, 2010

eye-in-the-sky security blimp over the Callaghan as the crowds press on toward a logistics nightmare

I am currently living in the midst of the Olympic maelstrom. For some reason I thought I might find myself frantically blogging the madness, but for the most part I find myself uninterested in doing so. Organised indie media such as the Vancouver Media Coop have kept it under control, and the damage is flying so fast & furious — see Democracy Now’s coverage of Olympic resistance to CBC on VANOC’s bad logistics & lack of venue foresight — that keeping up on Twitter seems to be the way to roll. So instead of daily blogging, I’ve been tweeting impressions & links [ @fugitivephilo ]. Anyway, first came the torch, and for that I have a video, ambivalence & beer included:

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